Art and Architectural History Essay Example | Topics and Well Written Essays - 1250 words

Art and Architectural History - experiment ExampleHis life transformed in the year 1537, at the age of 30 when Andrea Palladio started to swear out on a lower floor the famous designer Gian Giorgio Trissini Trissini shaped the life of Palladio, became his mentor, introduced him to the principles of classical architecture and other disciplines of spiritual rebirth. Trissini also introduced his protg to a extensive circle of patrons and more importantly, gave him his name Palladio suggesting Pallas Athene, the Greek goddess of wisdom, by which he was to later become famous1. Palladios earlier commissions were to underframe palaces and villas for aristocracy. Later, he began design of religious buildings.Palladio learnt the principles of Vitruvius, the famous architect of olden days, (whose treatise was rediscovered in the prior century) through his books and the renaissance commentator Alberti. He became acquainted with the ideas and pioneering works of his contemporaries like Ro mano, Falconetto, Serlio and Sanmicheli. His mentor took him to visit cities like Padua, Venice and capital of Italy and further introduced him to classical Roman and early Renaissance works. The socio-political situation at that time was instrumental in triggering a fundamentally different thought process in his design. Venice had by then become the philia of a vast empire with not only military but also commercial enclaves near the area, beca make use of it controlled the Mediterranean region and its trade routes. Noble families frankincense prospered economically and were turning towards large-scale agricultural activities. This prompted these Neo-rich families to electrical switch their residences to rural areas, so that they could work close to home, as well as enjoy the peace and calm down of country life. They needed homes, which had the magnificence of the royal Venetian palaces, but at much lower costs. additionally these homes had to have the functional efficiency, wh ich would allow supervision and storage of agricultural production, as well as perform as a place for repose and contemplation for its owners. It is in this context, that his 20 odd villas were constructed.Design ideas true by PalladioAs stated earlier, the central problem for design for Palladio was to synthesize a solution, which took care of the modern-day needs like functionality and comfort for the residents, while retaining the magnificence and keeping the cost low. He found a 3-point solution to the problem1. Dramatic external motifs The external faade had a clear classical influence including editorial orders but with understated grace and symmetry rather than elaboration.2. Economic materials His earlier working experience with brick-laying and masonry prompted him to use bricks clad in stucco instead of marble and stone which had to be procured from far off places, thus reducing costs substantially.3. Inner harmony and balance of interior spaces This is where much of h is innovative design work was done. His rationality concluded that a sense of space is closely connected with its mapping2, and that the successful synthesis of forms, materials and purpose becomes space (Palladian design, Reading Architectural History - Dana Arnold, pp135). So, his fundamental premise was that the interior parts of the house should correspond to the unit of measurement as well as to one another. We will have a sense